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When Apple introduced the iPhone 13 Pro, it mentioned that they also learned macro photography and video mode. However, he brought the function exclusively to them, due to the presence of a new ultra-wide-angle camera with a 120° field of view, a focal length of 13 mm and an aperture of ƒ/1,8. However, this does not mean that even older models cannot do macro. You can use it, for example, in the currently prevailing winter season, specifically when photographing snowflakes. 

Macro in iPhone 13 Pro and 13 Pro Max 

In the case of the latest professional iPhone Pro duo, Apple says it can focus from as close as 2cm thanks to its efficient autofocus. The feature doesn't want to burden you with activation, so as soon as the camera system thinks you're close enough to the subject for the iPhone to start macro shooting, it automatically switches the lens to ultra-wide. If you don't like this behavior, it can be changed in Settings -> Camera -> Automatic macro.

In the end, you don't have to decide whether you're shooting macro or not, whether to switch to a lens or keep the current one. The phone will recognize this by itself and will try to achieve the best possible result for you. Of course, it has its rules. The depth of field obviously depends on how far you are from the object. If you are photographing an area, you have to take into account that the front of the scene, like its background, can be out of focus, sharp, so it will actually only be a means.

Third-party applications 

For a long time now, the optics of iPhone cameras have been high enough that even older models or those without the Pro moniker can handle macro. While the native Camera app won't let you do this, apps from the App Store already do. The title was the first to come up with the right macro Halide, which brings it to iPhone 8 and later. This is a professional application with full manual input. The macro here presents the flower icon. This mode can then automatically select the best lens to use for the best possible result. After the macro photo is captured, it is then specially edited and its quality is increased, thanks to the presence of artificial intelligence.

Halide Mark II on the App Store

Another application that might appeal to you if you need to take macro pictures is Macro by Camera+, which is behind the developers of the popular title Camera+. This one has the advantage that it is focused exclusively on taking detailed photos and therefore does not contain unnecessary menus that would make it confusing. For subsequent editing, the captured photo can be sent directly to the parent title, if of course you have it installed. The creators then mention that their application works with all iPhones that run iOS 15.

Macro by Camera+ in the App Store

Try a telephoto lens 

If your iPhone has a telephoto lens, try experimenting with it when taking macro shots. Thanks to its longer focal length, you can get closer to the photographed object. It's not the real macro, but it can be bypassed quite interestingly. Just keep in mind that the telephoto lenses of the iPhones have poorer brightness, so you need to have enough light in the photographed scene, otherwise it will suffer from significant noise.

how to photograph snow

Falling snow 

So far we have only focused on macro photography, but snow photography offers more possibilities. For example, try to photograph the falling one. Of course, it is quite demanding for ideal conditions, when it is necessary to be lucky in the light, the size of the flakes themselves and the speed of their fall. Don't count on details that will show you every flake, but try to use the flash in such conditions. The falling inserts will illuminate and they will give the resulting photo a completely different atmosphere. 

If you are taking photos with Live Photos turned on, and on the contrary you do not want the falling snow to be present in the resulting photo, simply use the long exposure effect on the photo in the Photos application. In most cases, it can completely eliminate falling liners.

Editing 

Especially if you are photographing snow and snowflakes, be careful about post-editing. Winter has the disadvantage that when the sun shines, the result is often burnt. Reduce the exposure here already when taking pictures. The other extreme is, of course, darkness. In this case, the snow may not be as white as you would like. You can solve this by setting the white balance appropriately, when you move from gray to a pleasant white, which, however, does not catch the eye in any way. Never edit photos with snow in warm colors, which result in yellowing of the snow, and you will surely understand how inappropriate it would look in such an edited image. 

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