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The whole world is currently watching the terrible scenes from Paris, where two days ago armed attackers broke into the newsroom magazine Charlie Hebdo and mercilessly shot twelve people, including two policemen. A "Je suis Charlie" (I am Charlie) campaign was immediately launched around the world in solidarity with the satirical weekly, which regularly published controversial cartoons.

In support of the magazine itself and the freedom of speech attacked by armed, as-yet-uncaught terrorists, thousands of French people took to the streets and flooded the Internet with the signs "Je suis Charlie" countless cartoons, which artists from all over the world send to support their deceased colleagues.

In addition to journalists and others, Apple also joined the campaign, which on the French mutation of your website he just posted the message "Je suis Charlie". On his part, it is rather a hypocritical gesture rather than an act of solidarity.

If you go to Apple's e-book store, you won't find the satirical weekly Charlie Hebdo, which is probably one of the most famous magazines in Europe at the moment. If you fail in the iBookstore, you won't succeed in the App Store either, where some publications have their own special applications. However, it is not because this weekly does not want to be there. The reason is simple: for Apple, the content of Charlie Hebdo is unacceptable.

Often controversial cartoons appeared on the cover (and not only there) of a strongly anti-religious and left-oriented magazine, and their creators had no problem dabbling in politics, culture, but also religious topics, including Islam, which ultimately proved fatal for them.

It was the controversial drawings that were in fundamental conflict with Apple's strict rules, which must be followed by everyone who wants to publish in the iBookstore. In short, Apple did not dare to allow potentially problematic content, in any form, into its stores, which is why even Charlie Hebdo magazine never appeared in it.

In 2010, when the iPad hit the market, the publishers of the French weekly had planned to start developing their own app, but when they were told in the process that Charlie Hebdo wouldn't make it to the App Store anyway due to its content, they gave up their efforts beforehand. “When they came to us to make Charlie for the iPad, we listened carefully,” wrote in September 2010, the then editor-in-chief of the magazine Stéphane Charbonnier, nicknamed Charb, who, despite police protection, did not survive Wednesday's terrorist attack.

“When we came to the conclusion at the end of the conversation that we could publish the complete content on the iPad and sell it for the same price as the paper version, it looked like we were going to make a deal. But the last question changed everything. Can Apple speak to the content of the newspapers it publishes? Yes of course! No sex and maybe other things," explained Charb, explaining why Charlie Hebdo did not participate in this trend at a time when, after the arrival of the iPad, many print publications were going digital. "Some drawings could be considered inflammatory and might not pass censorship," dodal editor-in-chief for Bakshish.

In his post, Charbonnier practically said goodbye to the iPad forever, saying that Apple would never censor his satirical content, and at the same time he strongly relied on Apple and its then CEO Steve Jobs that he could afford such a thing under freedom of speech. “The prestige of being able to be read digitally is nothing compared to the freedom of the press. Blinded by the beauty of technological progress, we don't see that the great engineer is actually a dirty little cop," Charb didn't take his napkins and asked rhetorical questions about how some newspapers can accept this potential censorship by Apple, even if they don't have to go through it themselves, as well as readers on the iPad can guarantee that its content has not, for example, been edited compared to the printed version?

In 2009, the well-known American cartoonist Mark Fiore did not pass the approval process with his application, which Charb also mentioned in his post. Apple labeled Fiore's satirical drawings of politicians as mocking public figures, which was in direct violation of its rules, and rejected the app with that content. Everything changed only a few months later, when Fiore won the Pulitzer Prize for his work as the first cartoonist to publish exclusively online.

When Fiore then complained that he would also like to get on the iPads, in which he sees the future, Apple rushed to him with a request to once again send his application for approval. Eventually, the NewsToons app did make it to the App Store, but, as he later admitted, Fiore felt a little guilty.

“Sure, my app was approved, but what about the others who didn't win the Pulitzer and maybe have a much better political app than me? Do you need media attention to get an app with political content approved?” Fiore asked rhetorically, whose case is now strikingly reminiscent of Apple's current never-ending vagaries of rejecting and then re-approving apps in the App Store related to iOS 8 rules.

Fiore himself never tried to submit his app to Apple after the first rejection, and if he didn't have the publicity he needed after winning the Pulitzer Prize, he probably never would have made it to the App Store. A similar approach was taken by the weekly magazine Charlie Hebdo, which, when it learned that its content would be subject to censorship on the iPad, refused to participate in the transition to digital form.

It's a bit surprising that Apple, which has been so wary of politically incorrect content lest it tarnish its snow-white dress, is now announcing "I'm Charlie."

Update 10/1/2014, 11.55:2010 AM: We have added to the article a statement from former Charlie Hebdo editor-in-chief Stéphane Charbonnier from XNUMX regarding the digital version of his weekly.

Source: NY Times, ZDNet, Frederic Jacobs, Bakshish, Charlie Hebdo
Photos: Valentina Cala
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